The Project Gutenberg EBook of Notes and Queries 1850.03.23, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

Title: Notes and Queries 1850.03.23

Author: Various

Release Date: April 8, 2004 [EBook #11958]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.03.23 ***

Produced by Jon Ingram, William Flis, and PG Distributed Proofreaders.
Produced from images provided by The Internet Library of Early
Journals.

NOTES AND QUERIES:

A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."—CAPTAIN CUTTLE.

No. 21.
Saturday, March 23. 1850.
Price Threepence.
Stamped Edition 4d.

CONTENTS.

NOTES:— | Page
Early Statistics—Chart, Kent | 329
"Bis dat qui citò dat" | 330
Parallel Passages | 330
Errors corrected | 331
Direct and Indirect Etymology | 331
Error in Pope's Homer's Odyssey | 331
Proverbial Sayings and their Origins, &c. | 332
QUERIES:— |
"The Supper of the Lorde" | 332
What is a Chapel, by Rev. A. Gatty | 333
Who translated the "Turkish Spy," by E.F. Rimbault, L.L.D. | 334
Philalethes Cestriensis—Stephens' Sermons | 334
Minor Queries:—Smelling of the Lamp—Gourders of Rain—The Temple—Family of Steward, of Bristol—Paying through the Nose—Memoirs of an American Lady—Bernicia—John Bull | 335
REPLIES:— |
Letter attributed to Sir R. Walpole, by Lord Braybrooke | 336
Portraits of Ulrich of Hutten | 336
Change of Names | 337
Queries answered, No. 6., by Bolton Corney | 337
Beaver Hats | 338
Replies to Minor Queries:—Anecdote of the Civil Wars—Mousetrap Dante—Cromwell's Estates—Genealogy of European Sovereigns—Shipster—Kentish Ballad—Bess of Hardwick—Trophee—Emerald—Ancient Motto: Barnacles—Tureen—Hudibrastic Couplet—Dr. Hugh Todd's MSS. | 338
MISCELLANIES:— |
Burnet—Translation from Vinny Bourne—Prince Madoc—Mistake in Gibbon—Jew's Harp—Havior, &c. | 341
MISCELLANEOUS:— |
Notes on Books, Sales, Catalogues, &c. | 342
Notices to Correspondents | 343
Advertisements | 343

EARLY STATISTICS.—CHART, KENT.

Perhaps some one of your numerous readers will be good enough to inform me whether any general statistical returns, compiled from our early parish registers, have ever been published. An examination of the register of Chart next Sutton Valence, in Kent, which disclosed some very curious facts, has led me to make this inquiry. They seem to point to the inevitable conclusion that the disturbed state of England during the period of the Great Rebellion retarded the increase of population to an extent almost incredible—so as to suggest a doubt whether some special cause might not have operated in the parish in question which was not felt elsewhere. But, as I am quite unable to discover the existence of any such cause, I shall be glad to learn whether a similar result appears generally in other registers of the period above referred to.

The register-book of Chart commences with the year 1558, and is continued regularly from that time. During the remainder of the sixteenth, and for about the first thirty-five years of the seventeenth century, the baptisms registered increase steadily in number: from that period there is a very marked decrease. For the twenty years commencing with 1600 and ending with 1619, the number 260; for the twenty years 1620 to 1639, the number is 246; and for the twenty years 1640 to 1659, the number is only 120.

No doubt this diminution must be attributed partly to the spread of Nonconformity; but I believe that during the Protectorate, the registration of births was substituted for that of baptisms, and therefore the state of religious feeling which then prevailed bears less directly on the question. And even after the Restoration the register exhibits but a small increase in the number of baptisms. For the various periods of twenty years from that event up to 1760, the numbers range from 152 to 195. And pursuing the inquiry, I find that the number of marriages, for any given time, varies consistently with that of baptisms. If any of your reader can clear up the difficulty, I shall feel much obliged for any information which may tend to do so.

Are the following extracts from the register above referred to of sufficient interest to merit your acceptance?

"1648.—Richard, the son of George Juxon, gent., and Sarah, his wife, who was slayne 1º Junii at Maydestone Fight, was buryed on the third daye of June, anno predicto."

"Joseph, the son of Thomas Daye, and An, his wife, who was wounded at Maydestone Fight 1º Junii, was buryed the eleventh daye of June."

It is hardly necessary to mention, that the fight here referred to took place between the parliamentary forces under Fairfax, and a large body of Kentish gentlemen, who had risen, with their dependants, in the hope of rescuing the king from the hands of the army. After an obstinate engagement, in which the Kentish men fully maintained their character for gallantry, they were defeated with great slaughter.

"1653.—The third of March, Mr. John Case of Chart next Sutton Clarke, being chosen by the parishioners of the said Chart, to be the Register of the said parish according to the Act touching marriages, births, and buryalls, was this day sworne before me, and I do allow and approve of him to be Register accordingly. As witness my hand.

Richa. Beale."

"1660.—Marye, the daughter of John Smith, Esq. was baptized on the thirteenth daye of Januarie, 1660, by John Case, Vicar. The first that hath been baptized at the font since it was re-erected by the appoynm't of the said Mr. Smith, being full sixteene yeers paste. One Thomas Scoone, an elder, having, out of his blinde zeale, defaced and pulled it downe, w't other ornaments belonging to the churche."

E.R.J.H.

Chancery Lane, 7th March.

BIS DAT QUI CITÒ DAT.

Inquiry has been often made as to the origin of this proverb. Alciatus is referred to generally as the authority whence it was derived. I think, however, it may be traced to Publius Syrus, who lived about forty-four years before Christ. It is equally probable, from the peculiar species of composition in which the thought, if not the exact words are found, that the proverb was derived from another and an earlier source. The object of mimic exhibitions is to impress the mind by imitation. Human life is burlesqued, personal defect heightened and ridiculed; character is never represented in degree, but in extremes. The dialogue of satirical comedy assumes naturally the form of the apophthegm—it is epigrammatic and compressed that it may be pungent and striking. Hence, no species of writing is more allied to or more likely to pass into household words, and to become proverbs among a people of quick retentive powers, such as the Greeks were, to whom we are perhaps indebted for this. I send you the extract from Alciatus; Emblemata, No. 162. Antverpiæ, 18mo. 1584. Apud Christophorum Plantinum.

"Tres Charites Veneri assistunt, dominamque sequuntur:

Hincque voluptates, atque alimenta parant;

Lætitiam Euphrosyne, speciosum Aglaia nitorem;

Suadela est Pithus, blandus et ore lepos.

Cur nudæ? mentis quoniam candore venustas

Constat, et eximia simplicitate plucet.

An quia nil referunt ingrati, atque arcula inanis

Est Charitum? qui dat munera, nudus eget.

Addita cur nuper pedibus talaria? Bis dat

Qui citò dat—Minimi gratia tarda pretî est.

Implicitis ulnis cur vertitur altera? gratus

Fenerat: huic remanent una abeunte duæ.

Jupiter iis genitor, coeli de semine divas

Omnibus acceptas edidit Eurynome."

Now here we have the proverb clearly enough.

I subjoin the note upon the lines in which it appears.

"Bis dat qui cito dat," in Mimis Publii. "Beneficium inopi bis dat, qui dat celeriter." Proverb, Bis dat, &c.

Referring to the Sentences of Publius Syrus, published, with the additional Fables of Phædrus, from the Vatican MSS., by Angelo Mai, I found the line thus given:

"Inopi beneficium bis dat, qui dat celeriter."

The same idea, I believe, occurs in Ovid. Query whether it is not a thought naturally presenting itself to the mind, reflected by memory, confirmed by experience, and which some Mimic author has made proverbial by his terse, gnomic form of expression.

S.H.

PARALLEL PASSAGES.

I take the liberty of sending you several parallel passages, which may probably appear to you worthy of insertion in your valuable paper.

1.

"There is a tide in the affairs of men,

Which, taken at the flood, leads on to fortune."

Shakspeare: Julius Cæsar.

"There is an hour in each man's life appointed

To make his happiness, if then he seize it."

Beaumont and Fletcher: The Custom of the Country.

"There is a nick in Fortune's restless wheel

For each man's good—"

Chapman: Bussy d'Ambois.

2.

"The fann'd snow,

That's bolted by the northern blast thrice o'er."

Shakspeare: A Winter's Tale.

"Snow in the fall,

Purely refined by the bleak northern blast."

Davenport: The City Nightcap.

3.

"Like pearl

Dropt from the opening eyelids of the morn

Upon the bashful rose."

Middleton: The Game at Chess.

"Together both, ere the high lawns appeared

Under the opening eyelids of the morn,

We drive afield."

Milton: Lysidas.

4.

"Brief as the lightning in the collied night,

That in a spleen enfolds both heaven and earth,

And ere a man hath power to say—Behold!

The jaws of darkness do devour it up."

Shakspeare: Midsummer Night's Dream.

"Nicht Blitzen gleich, die schnell vorüber schiessen,

Und plötzlich von der Nacht verschlungen sind,

Mein Glück wird seyn."

Schiller: Die Braut von Messina.

G.

Greenock.

ERRORS CORRECTED.

I.—Sharon Turner's Hist. of England (Lond. 1814. 4to.), i. 332.

"The Emperor (Henry VI.) determined to extort an immoderate ransom; but, to secure it, had him (Richard Coeur de Lion) conveyed to a castle in the Tyrol, from which escape was hopeless."—Note "104. In Tiruali. Oxened. MS."

Ibid. p. 333:

"He (Richard) was removed from the dungeon in the Tyrol to the emperor's residence at Haguenau."—Note "109. See Richard's Letter to his Mother. Hoveden, 726."

The fortress, here represented to be in the Tyrol, is about 220 miles distant ("as the crow flies") from the nearest point in that district, and is the Castle of Trifels, which still crowns the highest of three rocky eminences (Treyfels = Three Rocks), which rise from the mountain range of the Vosges, on the southern side of the town of Annweiler. In proceeding from Landau to Zweibrücken (Deux-Ponts), the traveller may see it on his left. The keep is still in good preservation; and it was on account of the natural strength of its position that the imperial crown-jewels were formerly preserved in it.

I am unable to refer at present to the MS. of Oxenedes (Cotton, Nero, D 2), which appears to give the erroneous reading of Tirualli for Triualli or Trivalli; but Mr. Turner might have avoided the mistake by comparing that MS. with the printed text of Hoveden, in which Richard is represented as dating his letter "de Castello de Triuellis, in quo detinebamur."

II.—Wright's S. Patrick's Purgatory (Lond. 1844. 8vo.), p. 135.:

"On the patent rolls in the Tower of London, under the year 1358, we have an instance of testimonials given by the king (Edward III.) on the same day, to two distinguished foreigners, one a noble Hungarian, the other a Lombard, Nicholas de Beccariis, of their having faithfully performed this pilgrimage."

In a note on this passage, Mr. Wright reprints one of the testimonials from Rymer (Foedera, vol. iii. pt. i. p. 174.), in which is the following passage:

"Nobilis vir Malatesta Ungarus de Arminio miles."

In the original deed, the text must have been de Arimino (of Rimini); for the person here referred to was a natural son of Malatesta de' Malatesti, Lord of Rimini and of Pesaro, and took the name of L'Ungaro in consequence of his having been knighted by Louis, King of Hungary, when the latter passed through the Malatesta territory, when he was going to Naples for the purpose of avenging his brother Andrew's death. In the Italian account of the family (Clementini, Raccolto Istorico della Fondazione di Rimino. Rimino, 1617-27. 2 vols. 4to.), L'Ungario is said have been a great traveller, to have visited England, and to have died in 1372, at the age of 45. (See also Sansovino, Origine e Fatti delle Famiglie Illustri d'Italia. Venetia, 1670. 4to. p. 356.)

F.C.B.

DIRECT AND INDIRECT ETYMOLOGY.

I have just been exceedingly interested in reading a lecture on the Origin and Progress of the English Language, delivered at the Athenæum, Durham, before the Teachers' Society of the North of England, by W. Finley, Graduate of the University of France.

The following passage well expresses a caution that should be always kept in mind by the literary archæologist:

"In the orthography of English words derived from the Latin, one great and leading principle must be kept in view. If the word is of new adoption, it is certain that its spelling will be like that which appears in the original word; or if it has come to us through the French, the spelling will be conformable to the word in that language; thus, persecution from persequor, pursue from poursuivre. Again, flourish from fleurir, efforescent, florid, &c., from floreo. And to establish our orthography on certain grounds, it ought to be the business of the lexicographer to determine the date of the first appearance of an adopted word, and thus satisfactorily determine its spelling." (Lecture, p. 20. footnote.)

D.V.S.

Home, March 2.

ERRORS IN POPE'S HOMER'S ODYSSEY.

In all the editions I have seen of this translation, the following very palpable errors exist, which I do not remember to have seen noticed. The first of these errors is contained in book ix. lines 325, 326, 463, and 533,

"Fools that ye are! (the savage thus replies,

His inward fury blazing at his eyes.)"

"Sing'd are his brows: the scorching lids grow black."

"Seest thou these lids that now unfold in vain?"

and consists in Mr. Pope having bestowed two organs of sight on the giant Polypheme.

The second occurs in line 405 of the same book;

"Brain'd on the rock: his second dire repast;"

and is owing to the inadvertency of the translator, who forgets what he had previously written in lines 342 to 348.

"He answer'd with his deed: his bloody hand

Snatch'd two, unhappy of my martial band;

And dash'd like dogs against the stony floor;

The pavement swims with brains and mingled gore.

Torn limb from limb, he spreads his horrid feast,

And fierce devours it like a mountain beast."

And in lines 368 and 369;

"The task thus finish'd of his morning hours,

Two more he snatches, murders, and devours!"

by which it distinctly appears that line 405 has a reference to the third "dire repast" of the Cyclops, instead of the second.

Perhaps you will not deem me presumptuous in offering an amendment of these passages by the following substitutions:—

For lines 325 and 326,

Fools that ye are! (the savage made reply,

His inward fury blazing at his eye.)

for line 463,

Sing'd is his brow; the scorching lid grows black.

for line 405,

Brain'd on a rock: his third most dire repast.

and for line 533,

Seest thou this lid that now unfolds in vain?

DAVID STEVENS.

Godalming, Feb. 10. 1850.

PROVERBIAL SAYINGS AND THEIR ORIGINS—PLAGIARISMS AND PARALLEL PASSAGES.

In a note to Boswell's Life of Johnson (Lond. 1816. 8vo.), iv. 196., the following lines are ascribed to their real authors:—

To Joh. Baptista Mantuanus (Leipz. 1511. 4to), Eclog. i.:—

"Id commune malum, semel insanivimus omnes."

To Philippe Gaultier, who flourished in the last half of the 12th century (Lugduni, 1558. 4to. fol. xlij. recto):—

"Incidis in Scillam cupiens vitare Charybdim."

At the conclusion of the same note, the authorship of

"Solamen miseris socios habuisse doloris,"

is said to remain undiscovered; but it appears to be a corrected form of a line in Albertus ab Eyb's Margarita Poetica (Nuremberg, 1472. Fol.), where, with all its false quantities, it is ascribed to Ovid:—

"Solacium est miseris socios habere poenarum."

Ovidius Epistolarum.

In the same page (fol. 149. rect.),

(sic) "Fecundi calices quem non fecere disertum"

is transferred from Horace to Ovid; while, on the reverse of the same fol., Æsop has the credit of

"Non bene pro toto libertas venditur auro;

Hoc coeleste bonum præterit orbis opes."

Of the first line of the couplet, Ménage says (Menagiana, Amstm. 1713. 12mo.), iii. 132., that it is "de la fable du 3'e Livre de ce même Poëte à qui nous avons dit qu'appartenoit le vers

"'Alterius non sit qui suus esse potest;'"

But I cannot find the reference to which he alludes.

In the same fol. (149 rect.) is perhaps the earliest quotation of

"Gutta cavat lapidem non vi sed sæpè cadende.—

Sapiens,"

which occurs also in Menagiana (Amstm. 1713. 12mo.), i. 209.:—

"Horace fait mention du Poëte Chérile, de qui l'on

n'a que ce vers Grec—

"Πετραν κοιλαινει ρανισ οδατοσ ενδελεχειη."

"Gutta cavat lapidem non vi sed sæpè cadendo."

The parallel passages in Ovid are in Epist. ex Pont. iv. x. 5.:—

"Gutta cavat lapidem; consumitur annulus usu,

Et feritur pressâ vomer aduncus humo,"

and in Art. Amat. l. 475, 476.:—

"Quid magis est saxo durum? quid mollius unda?

Dura tamen molli saxa cavantur aquâ."

F.C.B.

QUERIES.

A TREATISE ON THE LORD'S SUPPER, BY ROBERT CROWLEY.

I have before me a somewhat scarce volume of Theological Tracts (small 8vo.), ranging between the years 1533 and 1614. With the exception of one relating to the Sacraments, by John Prime (Lond. 1582), the most curious treatise is that entitled "The Supper of the Lorde, after the true meanyng of the sixte of John, &c.... wherunto is added, an Epystle to the reader, And incidentally in the exposition of the Supper is confuted the letter of master More against John Fryth." To a motto taken from 1 Cor. xi. is subjoined the following date, "Anno M.CCCCC.XXXIII., v. daye of Apryll," together with a printer's device (two hands pointing towards each other). This Tract was promptly answered by Sir Thomas More (A.D. 1533, "after he had geuen ouer the offyce of Lorde Chauncellour of Englande"), and is described by him as "the poysoned booke whych a nameles heretike hath named the Supper of the Lorde" (Works, pp. 1035, seqq., ed. Rastell). From the following passage of the reply, we learn that this offensive publication, like so many others of the same class, has been printed abroad:—

"And in thys wyse is ther sent ouer to be prynted the booke that Frythe made last against the blessed sacrament answering to my letter, wherewyth I confuted the pestilent treatice that he hadde made agaynst it before. And the brethen looked for it nowe at thys Bartlemewe tide last passed, and yet looke euery day, except it be come all redy, and secretly runne among them. But in the meane whyle, ther is come ouer a nother booke againste the blessed sacrament, a booke of that sorte, that Frythe's booke the brethren maye nowe forbeare. For more blasphemous and more bedelem rype then thys booke is were that booke harde to be, whyche is yet madde enough, as men say that haue seen it" (p. 1036. G.).

More was evidently at a loss to discover the author of this work; for, after conjecturing that it might have come from William Tyndal, or George Jaye (alias Joy), or "som yong unlearned fole," he determines "for lacke of hys other name to cal the writer mayster Masker," a sobriquet which is preserved throughout his confutation. At the same time, it is clear, from the language of the treatise, that its author, though anonymous, believed himself well known to his opponent:

"I would have hereto put mi name, good reader, but I know wel that thou regardest not who writteth, but what is writen; thou estemest the worde of the verite, and not of the authour. And as for M. More, whom the verite most offendeth, and doth but mocke it out when he can not sole it, he knoweth my name wel inough" (sub fin).

But here rises a grave difficulty, which I have taken the liberty of propounding to the readers of "Notes and Queries." Notwithstanding the above statements, both of the writer and of Sir Thomas More, as to the anonymous character of the treatise we are considering, the "Epistle to the Reader" is in my copy subscribed "Robert Crowley," naturally inducing the belief that the whole emanated from him.

Perhaps this difficulty may be resolved on the supposition that, while the body of the Tract was first published without the "Epistle to the Reader," and More's reply directed against it under this form, it might soon afterwards have reached a second edition, to which the name of the author was appended. It is certain that More's copy consisted of 32 leaves only (p. 1039, G.), which corresponds with that now before me, excluding the "Epistle to the Reader." Still, it is difficult to conceive that the paragraph in which the author speaks of himself as anonymous should have remained uncancelled in a second edition after he had drawn off what More calls "his visour of dissimulacion." There is, indeed, another supposition which would account for the discrepancy in question, viz. that the epistle and a fresh title-page were prefixed to some copies of the original edition; but the pagination of the Tract seems to preclude this conjecture, for B.i. stands upon the third leaf from what must have been the commencement if we subtract the "Epistle to the Reader."

Wood does not appear to have perceived either this difficulty, or a second which this treatise is calculated to excite. He places the Supper of the Lorde at the head of the numerous productions of Robert Crowley, as if its authorship was perfectly ascertained. But Crowley must have been a precocious polemic if he wrote a theological treatise, like that answered by More, at least a year previously to his entering the university. The date of his admission at Oxford was 1534; he was elected Fellow of Magdalene in 1542; he printed the first edition of Piers Plowman in 1550; and was still Parson of St. Giles's, near Cripplegate, in 1588, i.e. fifty-five years after the publication of the Tract we are considering. (See Heylin's Hist. of the Reformation, ii. 186., E.H.S. ed.) Were there two writers named Robert Crowley? or was the Crowley a pupil or protégé of some early reformer, who caused his name to be affixed to a treatise for which he is not wholly responsible? I leave these queries for the elucidation of your bibliographical contributors.

If I have not already exceeded the limits allowable for such communications, I would also ask your readers to explain the allusion in the following passage from Crowley's tract:

"And know right well, that the more they steare thys sacramente the broder shal theyr lyes be spreade, the more shall theyr falsehoode appeare, and the more gloriously shall the truthe triumph: as it is to se thys daye by longe contencion in thys same and other like articles, which the papists have so long abused, and howe more his lyes utter the truthe every day more and more. For had he not come begynge for the clergy from purgatory, wyth his 'supplicacion of soules,' and Rastal and Rochester had they not so wyselye played theyr partes, purgatory paradventure had served them yet another yere; neyther had it so sone haue bene quenched, nor the poor soule and proctoure there ben wyth his bloudye byshoppe christen catte so farre coniured into his owne Utopia with a sachel about his necke to gather for the proud prystes in Synagoga papistica."

The Rastell here mentioned was doubtless he whom More (Works, p. 355.) calls his "brother" (i.e. his sister's husband), joining him with Rochester (i.e. Bp. Fisher), as in this passage, on account of his great zeal in checking the progress of the earlier Reformation; but what is the allusion in the phrase "with his bloudye bishoppe christen catte," &c., I am unable to divine. Neither in the Supplicacion of Soules, nor in the reply to the "nameles heretike," have I discovered the slightest clue to its meaning.

C.H.

St. Catherine's Hall, Cambridge.

[It would seem from a Query from the Rev. Henry Walter, in No. 7. p. 109., on the subject of the name "Christen Cat," where the forgoing passage is quoted from Day's edition of Tyndale's Works, that this tract was by Tyndale, and not by Crowley.]

WHAT IS A CHAPEL?

What is the most approved derivation of the word Chapel?—Capella, from the goat-skin covering of what was at first a movable tabernacle? capa, a cape worn by capellanus, the chaplain? capsa, a chest for sacred relics? kaba Eli (Heb.), the house of God? or what other and better etymon?

Is it not invariably the purpose of a Chapel to supply the absence or incommodiousness of the parish church?

At what period of ecclesiastical history was the word Chapel first introduced? If there be any truth in the legend that St. Martin's hat was carried before the kings of France in their expeditions, and that the pavilion in which it was lodged originated the term, it is probably a very old word, as the Saint is stated to have died A.D. 397. Yet the word in not acknowledged by Bingham.

Is Chapel a legal description of the houses of religious meeting, which are used by those who dissent from the Church of England?

Was the adoption of the word Chapel by dissenters, or their submission to it, indicative of an idea of assistance, rather than of rivalry or opposition, to the Church?

Any answer to these inquiries, which are proposed only for the sake of information, by one whose means of reference and investigation are limited, will be very acceptable.

Alfred Gatty.

Ecclesfield, March 5. 1850.

WHO TRANSLATED THE "TURKISH SPY?"

Is it known who really translated that clever work, Letters writ by a Turkish Spy? The work was originally written in Italian, by John Paul Marana, a Genoese; but the English translation has been attributed to several individuals.

Among Dr. Charlett's correspondence, preserved in the Bodleian Library, is a letter inquiring after a Mr. Bradshaw. The writer says, "he was servitor or amanuensis to Dr. Allesbree, and proved very considerable afterwards, being the author of all the volumes of the 'Turkish Spy' but one; and that was the first, which, you remember, was printed a considerable time before the rest, and not much taken notice of till the second volume came out. The first volume was originally wrote in Italian, translated into French, and made English; and all the rest after carried on by this Bradshaw, as I am undoubtedly informed: so that I think him well worth inquiring after while in Oxford. Dr. Midgely had only the name and conveyance to the press, beside what books he helped Bradshaw to, which, by his poverty, he could not procure himself." In the margin of this letter Ballard has added, "Sir Roger Manley, author of the 'Turkish Spy.'" Baker, of St. John's College, Cambridge, has written on the cover of the first volume of his copy of Athenæ Oxoniensis (bequeathed to the Public Library at Cambridge), "'Turkish Spy,' begun by Mr. Manley, continued by Dr. Midgely with the assistance of others."

Edward F. Rimbault.

PHILALETHES CESTRIENSIS—STEPHENS' SERMONS.

I shall feel much obliged if any of your correspondents can inform me what is the real name of the author of the following work:

"An Impartial enquiry into the true character of that Faith, which is required in the Gospel, as necessary to salvation; in which it is briefly shewn, upon how righteous terms unbelievers may become true Christians, &c., by Philalethes Cestriensis. 8'o. Lond. 1746. Dedicated to Philip earl of Chesterfield, Lord-Lieutenant of Ireland."

In your 6th Number is an inquiry for a "tract or sermon" by the Rev. W. Stephens, which elicited a reply in No. 8. from "Mr. Denton," who mentions four sermons by that author and inquires whether any other sermons or tracts of his were published, which are not included in the two posthumous volumes?

Now it has struck me that a volume of sermons in my possession may, from the nature of the subjects, be Stephens's, but whether included in the volume alluded to I know not. The volume contains six sermons, each with separate title and separate pagination. A common preface is prefixed, and there has been a common title-page, which unfortunately is missing in my copy.

"Serm. I. The Divinity of Christ argued, from his right to worship, on Rev. v. 13, 14., preached in 1720, at Great Torrington, at the Visitation of the Archdeacon of Barnstaple."

"II. The necessity of believing the Divinity of the Son of God, John iii. 16., preached at Great Torrington on Christmas Day, 1721."

"III. The Humiliation and Exaltation of the Son of God considered in the new light, Philipp. ii. 6-12., preached at the primary Visitation of Stephen [Weston] Lord Bishop of Exon, at Great Torrington, 1726."

"IV. Christ, King of the Jews both before and after his Incarnation, Matt. ii. 1, 2., preached on Christmas Day and First Sunday after Epiphany, 1727."

"V. The Beginning, Extent, and Duration of Christ's Mediatorial Kingdom, same text, and preached at the same season."

"VI. The natural supremacy of God the Son; same text, &c."

The three last sermons have a title generally applicable, and repeated before each viz., "The Supreme Dominion of God the Son, both Natural, Oeconomical, and Judaical, proved from Scripture, in three Sermons." The separate titles bear date 1729; and the publisher was Samuel Birt, at the Bible and Ball, Ave Maria Lane.

This notice may supply the information of which Mr. Denton is in quest, and at all events I should be very glad to learn who the author really was. His sermons are, as is said of those of Stephens, far above the ordinary run. The period at which they were delivered agrees with the dates of those at page 118. The author, in the general preface, says, that Sermon II. was not "suffer'd to see the light before it had pass'd through the hands of Dr. Waterland." Was not Stephens subsequently Vicar of St. Andrew's, Plymouth?

Balliolensis.

MINOR QUERIES.

Smelling of the Lamp.—Can you or one of your learned correspondents, tell me the origin or first user of the literary "smelling of the lamp?" I know that it is commonly attributed to Demosthenes? but if it is his, I want chapter and verse for it.

Gourders of Rain.—Will any of your correspondents be kind enough to suggest the etymology of the word "gourders" (= torrents)? It occurs in the following passage of Harding against Jewel (p. 189., Antv. 1565):

"Let the gourders of raine come downe from you and all other heretikes, let the floudes of worldly rages thrust, let the windes of Sathan's temptations blowe their worst, this house shall not be overthrowen."

C.H.

St. Catherine's Hall, Cambridge.

The Temple or a Temple.—I am happy to see that your correspondent, Mr. Thoms, is about to illustrate some of the obscurities of Chaucer. Perhaps he or some of your learned contributors may be able to remove a doubt that has arisen in my mind relative to the poet's well-known description of the Manciple in his Prologue to the Canterbury Tales.

You are aware that the occupation of the Temple by students of the law in the reign of Edward III. has no other authority than tradition. Dugdale, Herbert, Pearce, and others who have written on the Inns of Court, adduce this passage from Chaucer in support of the assertion; and they all quote the first line thus:

"A manciple there was of the Temple."

In Tyrwhitt's edition of Chaucer, however, and in all other copies I have seen, the reading is

"A gentil manciple was ther of a temple."

Now the difference between "the Temple" and "a temple" is not inconsiderable. I should feel obliged, therefore, by any explanation which will account for it. If Chaucer was, as he is sometimes pretended to be, a member of the Temple, it is somewhat extraordinary that he should have designated it so loosely. The words in the real passage would seem to have a more general signification, and not to be applied to any particular house of legal resort.

Edward Foss.

Family of Steward or Stewart of Bristol.—I have in my possession a drawing, probably of the time of James or Charles I., of the following arms. Azure a lion rampant or, with a crescent for difference, impaling argent a cross engrailed flory sable between four Cornish choughs proper—Crest, on a wreath of the colours a Saracen's head full-faced, couped at the shoulders proper, wreathed round the temples and tied or and azure.

On removing the shield from the paper on which it was pasted, I found a spoiled sketch of the coat of Poulett, with the name Ambrose Moore written over it in a hand of about the reign of Charles I.: the object in passing the fresh shield over the spoiled coat appears to have been merely to make use of the mantling.

I have also a locket of silver gilt containing a miniature of a gentleman apparently of the time of the Commonwealth, finely executed in oils upon copper; on the back are engraved the arms and crest above described without the impalement, the crescent bearing the addition of a label. The only information I have is, that the locket and the drawing belonged to a family of the name of Steward or Stewart, who were clothworkers at Bristol during the Commonwealth, and for some generations later; and they are now in the possession of their descendants. The first of whom I have any authentic record is Hercules Steward, who was admitted to the liberties of the city of Bristol in 1623.

I cannot find that any family of Steward has borne the arms in question; and if any of your readers can throw a light on the matter, I shall feel greatly obliged to them.

Query. Was there a Herald painter of the time named Ambrose Moore?

O.C.

Feb. 26. 1850.

Paying through the Nose.—Can any one tell me the origin of the phrase, "Paying though the nose," expressing a dear bargain?

A.G.

Memoirs of an American Lady.—Are the Memoirs of an American Lady out of print? They were written by Mrs. Grant, of Laggan, the authoress of Letters from the Mountains, and of whom some very interesting memoirs have lately been published by her son.

Nemo.

Bernicia.—Can any learned correspondent favour me with the name or title of any English nobleman who held authority in Wales, or the Borders, in 1370-80? The motive for this query is, that a poem of the time, by Trahaearn, a celebrated bard, contains the following passage:

"Though fierce in his valour like Lleon, with a violent irresistible assault, he vaulted into battle, to plunder the King of Bernicia; yet the ravager of thrice seven dominions was a placid and liberal-handed chief, when he entertained the bards at his magnificent table."

It is not supposed that the king here mentioned was any thing more than a powerful nobleman, whose possessions, or castle and lands, were situated in the north of England; in which division of the island the ancient Bernicia was placed. As there is no evidence as to the locality or limits of this ancient district, it is hoped that an answer to the above query will afford a satisfactory solution to an uncertainty that has long existed among Welsh antiquaries.

Gomer.

John Bull.—Might I beg to ask, through your columns, the origin of the name "John Bull," as applied to Englishmen? I have frequently heard the question asked; but I never heard it satisfactorily answered. An antiquary once told me that it was so applied from the number of Johns among our countrymen, and the profusion of bles in our language; an explanation which I placed to the credit of my friend's ingenuity.

R.F.H.

REPLIES.

LETTER ATTRIBUTED TO SIR ROBERT WALPOLE.

I feel very confident that I once read the letter attributed to Sir R. Walpole (No. 19. p. 304.) in some magazine, long before I had ever seen Banks' Extinct and Dormant Peerage. My impression is, also, that I never believed the document to be authentic; and that opinion is confirmed by a reference to the Correspondence of Horace Walpole, vol. i. ed. 1840, and to the journals of the day. I find from these authorities, that the first of the memorable divisions which drove Sir Robert from the helm, took place on the 21st Jan. 1741-2, when Pulteney's motion for a secret committee was lost by three voices only. We are told that the speeches were very brilliant, and Sir R. Walpole particularly distinguished himself. He might have been tormented by his enemies, but not by the stone, (the excuse assigned in the letter for his inability to attend the king), for Horace left him at one o'clock in the morning, after the debate had terminated, "at supper all alive and in spirits," and he even boasted that he was younger than his son. The next struggle was on the 28th of Jan., on the Chippenham election, when the minister was defeated by one, and his friends advised him to resign; but it was not till after the 3rd of Feb., when the majority against him upon the renewal of the last question had increased to sixteen, that he intimated his intention to retire. These facts, coupled with the inferences drawn by your correspondent P.C.S.S. as to the suspicious style of the letter, and the imprudence of such a communication, go far to prove that it was a forgery: but the passage in Walpole's Reminiscences, vol. i. p. cviii. ed. 1840, with which I will now conclude my remarks, seems to set the question at rest:—

"Sir Robert, before he quitted the king, persuaded his Majesty to insist, as a preliminary to the change, that Mr. Pulteney should go into the House of Lords, his great credit lying in the other House: and I remember my father's action when he returned from Court, and told me what he had done; 'I have turned the key of the closet upon him,' making that motion with his hand."

Braybrooke.

Audley End, March 18. 1850.

PORTRAITS OF ULRICH OF HUTTEN.

It is pleasant to see that an answer to a query can sometimes do more than satisfy a doubt, by accidentally touching an accordant note which awakens a responsive feeling. I am much pleased that my scanty information was acceptable to "R.G."; and wish it was in my power to give him more certain information respecting the portraits of Hutten, who is one of my heroes, although I am no "hero-worshipper."

The earliest woodcut portrait of him with which I am acquainted, is to be found in the very elegant volume containing the pieces relating to the murder of his cousin John, by Ulrich of Wirtemberg (the title too long for these pages), which, from the inscription at the end, appears to have been printed in the Castle of Stakelberg, in 1519. It is a half length, in a hat, under a kind of portico, with two shields at the upper corners: the inscription beneath is in white letters on a black ground. It occurs near the end of the volume; in which is another spirited woodcut, representing the murder.

The other two cotemporary portraits occur in the "Expostulatio," before noticed. The largest of these, at the end of the volume, is in armour, crowned with laurel, and holding a sword, looking toward the left. This is but indifferently copied, or rather followed, in Tobias Stimmer's rare and elegant little volume, Imagines Viror. Liter. Illust., published by Reusner and Jobinus, Argent. 1587, 12mo.

I have never seen a good modern representation of this remarkable man, who devoted the whole energies of his soul to the sacred cause of the truth and freedom, and the liberation of his country and mankind from the trammels of a corrupt and dissolute Church; and, be it remembered, that he and Reuchlin were precursors of Luther in the noble work, which entitles them to at least a share in our gratitude for the unspeakable benefit conferred by this glorious emancipation.

Ebernburg, the fortress of his friend, the noble and heroic Franz von Sickingen, Hutten called the Bulwark of Righteousness. I had long sought for a representation of Sickingen, and at length found a medal represented in the Sylloge Numismatum Elegantiorum of Luckius, fol. Argent, 1620, bearing the date 1522.

Hutten's life is full of romantic incident: it was one of toil and pain, for the most part; and he may well have compared his wanderings to those of Ulysses, as he seems to have done in the following verses, which accompany the portrait first above mentioned:

"Desine fortunam miseris inimicaque fata

Objicere, et casus velle putare deos.

Jactatur pius Æneas, jactatur Ulysses,

Per mare, per terras, hic bonus, ille pius.

Crede mihi non sunt meritis sua præmia, casu

Volvimur, haud malus est, cui mala proveniunt.

Sis miser, et nulli miserabilis, omnia quisquis

A diis pro merito cuique venire putas."

I should like to see the German verses your correspondent mentions, if he will be good enough to favour me, through your intervention, with an inspection of the volume containing them.

S.W.S.

March 12. 1850.

CHANGE OF NAME.

"B." inquires (No. 16. p. 246.) what is the use of the royal license for the change of a surname? He is referred to Mr. Markland's paper "On the Antiquity and Introduction of Surnames into England" (Archæologia, xviii. p. 111.). Mr. Markland says,—

"Sir Joseph Jekyll, when Master of the Rolls, in the year 1730, remarks—'I am satisfied the usage of passing Acts of Parliament for the taking upon one a surname is but modern; and that any one may take upon him what surname, and as many surnames, as he pleases, without an Act of Parliament.' The decree in the above case was reversed in the House of Lords."

Mr. Markland adds,—

"From the facts and deductions here stated, it would seem that the Master of the Rolls had good ground for making his decree. The law, as it stands, however, had grown out of the practice: and common prudence dictates, that the assumption of a new surname should now be accompanied by such an authority as may establish beyond all question the legality of the act."

It must also be remembered, that a testator often directs that a devisee shall procure the royal license or an Act of Parliament for the change of name, in order to entitle him to the testator's property. If this direction be neglected, could not the party next benefited sue for it on that ground, and with success?

S.D.D.

Change of Name (No. 16. p. 246.).—The doctrine, that a person may change his surname without any formality whatever, has long been "settled," and is by no means of so recent a date as your correspondent supposes, which will presently appear.

In Coke upon Littleton, after some observations as to the change of Christian name at confirmation, it is stated—

"And this doth agree with our ancient books, where it is holden that a man may have divers names at divers times, but not divers Christian names." (Vol. ii. p. 218. ed. 1818, by J.H. Thomas.)

Reference is made to Acc. 1 Com. Dig. 19, 20., "Abatement" (E. 18, 19.); Bac. Abr. "Misnomer," B.; Rex v. Billinghurst, 3 Maul. & S. 254.: but these passages throw no additional light upon our immediate subject.

Sir Joseph Jekyll, in the case of Barlow v. Bateman, in 1730, said,—

"I am satisfied the usage of passing Acts of Parliament for the taking upon one a surname is but modern, and that any one may take upon him what surname, and as many surnames, as he pleases, without an Act of Parliament." (3 Peere Williams, 65.)

The decision of the Master of the Rolls in this case was afterwards overruled by the House of Lords; but on a point not affecting the accuracy of the observations I have quoted.

Lord Eldon, in the case of Leigh v. Leigh, decided in 1808, made the following remarks:—

"An Act of Parliament, giving a new name, does not take away the former name: a legacy given by that name might be taken. In most of the Acts of Parliament for this purpose there is a special proviso to prevent the loss of the former name. The King's licence is nothing more than permission to take the name, and does not give it. A name, therefore, taken in that way is by voluntary assumption." (15 Ves. Jun., p. 100.)

This case decided that the assumption of a name by a person, by the King's license, would not entitle him to take under a limitation in a will "unto the first and nearest of my kindred, being male, and of my name and blood." The same rule would no doubt hold as to a change of name by Act of Parliament. (See Pyot v. Pyot, 1 Ves. Sen. 335.)

These extracts from the highest authorities will sufficiently show of how little use is an Act of Parliament, or the royal license, for effecting a change of name; indeed, the chief, perhaps I might almost say the only, advantage of these costly forms, except, of course, where they are required by the express terms of a will, is the facility they afford in case it should become necessary to prove that John White was ten years ago John Brown.

Arun.

QUERIES ANSWERED, NO. 6.

There is no class of books which it more behoves future compilers of glossaries to consult, than those which treat of geography, navigation, military and naval economy, and the science of warfare both on shore and afloat. As far as the technical terms have been used by poets and dramatists, much valuable illustration may be found in the annotated editions of their works, but much more is required for general purposes, and I could point out some fifty volumes which would enable an industrious student, possessing a competent acquaintance with those subjects in their modern state, to produce a most useful supplement to our existing glossaries.

With very small pretensions to the amount of information which Σ ascribes to me, I will at once answer his query on the meaning of grummett.

GRUMETE is pure Spanish. It also occurs as a Portuguese word. I shall transcribe the explanations of it as given by the best authorities on those languages:—

"GRVMETE.—El muchacho que sirue en el nauio, y sube por el mastil, o arbol, y por la antena, y haze todo lo demas que le mandan con gran presteza."—Sebastian de Couarruuias, 1611.

"GRUMETE.—El mozo que sirve en el navío para subir á la gavia y otros usos. Tirunculus nauticus."—La real academia Española.

"GRUMETE.—Grumete he o moço que serve como de criado aos marinheiros, sobindo pellos mastros atè à gavea, etc."—Raphael Bluteau.

We have a statement of the rank and ratings of the officers and men of a ship of war in the Sea grammar of captain Smith, 1627. 4to. The word in question, as a rating, had then become obsolete. The duties of the seamen are thus described:

"The sailers are the ancient men for hoising the sailes, getting the tacks aboord, haling the bowlings, and steering the ship.

"The younkers are the young men called fore-mast men, to take in the top-sailes, or top and yard, for furling the sailes, or slinging the yards, bousing or trising, and take their turnes at helme."

Now, a comparison of the definitions of the Spanish and Portuguese gromete, and the English younker, leads me to infer that the latter term had been substituted for grummett or gromet, and that the duties of both classes were nearly the same.

If the above information should seem less precise than might be expected, I must make my apology in the words which Edward Jorden addressed to captain Smith on the publication of his Sea grammar:

"Who can

Deriue thy words, is more grammarian

Than Camden, Clenard, Ramus, Lilly were:

Here's language would haue non-plust Scaliger!"

Bolton Corney.

BEAVER HATS.

Permit me to suggest that, in asking a question, it is often desirable that the querist should state briefly the amount of information he already possesses on the subject. For instance, had Mr. "T.H. Turner," when inquiring after beaver hats (No. 7. p. 100.), stated, that he had met with the mention of them as early as the time of Hen. III., I, of course, should not have troubled you with a notice of them in the reign of Elizabeth. Indeed, I owe Mr. Turner an apology; for if I had reflected a moment upon the extensive antiquarian information of the querist, I should certainly have concluded that he must be well acquainted with the authorities I cited, which happened to be at my elbow at the time I read the query. Mr. B. Corney (No. 19. p. 307.) has supplied a beaver hat from Chaucer's Canterbury Tales; we meet with another in his Testament of Creseide, v. 386., "in a mantill and a beaver hat." We may therefore conclude that they were not unusual in Chaucer's time. I now think it very probable that beaver hats were introduced into this country as early as the Norman Conquest; for we find mention of them in Normandy at a still earlier period. In the "Chronicle of the Abbey of St. Wandrille" (edited by Acheri, in his Spicilegium), we find, amongst the gifts of the Abbot Ansegisus, who died A.D. 833,

"Cappas Romanas duas, unam videlicet ex rubeo cindato, et fimbriis viridibus in circuitu ornatam; alteram ex cane Pontico, quero vulgus Bevurum nuncupat, similiter fimbriis sui coloris decoratam in orbe."

I do not conceive this cap to have been made of the skin of a beaver, for the term would then most probably have been "ex pelli canis Pontici."

This Chronicle contains several curious inventories of the gifts of many of the abbots; in which we may see the splendour of the vessels and vestments used at that period in religious services, as well as the style of reading then prevalent amongst the monks.

Gastros.

Cambridge, March 11.

[There is a Query which arises out of this subject which none of our correspondents have yet touched upon—What was the original meaning of Beaver, as applied to a hat or cap? and was it taken from the name of the animal, or did it give the name to it?]

REPLIES TO MINOR QUERIES.

Anecdote of the Civil Wars.—In looking through your "Notes and Queries," to which I heartily wish continued success, I find, in No. 6. p. 93, a question which appears to be as yet unanswered.

The story to which your questioner alludes as an "anecdote of the Civil Wars," is a very beautiful one, and deserves authentication.

I have a note of it from Dr. Thomas's additions to Dugdale's Warwickshire, which dates the occurrence as having taken place Oct. 22, 1642, the day previous to the battle of Edgehill, and identifies the merry sportsman as Richard Schuckburgh, of Upper Shuckburgh; who, however, on his presentation to the king, "immediately went home, aroused his tenants, and the next day attended the army to the field, where he was knighted, and was present at the battle." Being out of the reach of books, I am unable further to verify the story; but it is to such unhappy rustics that your publication is most acceptable.

C.W.B.

[Thanks to the kindness of our correspondent "C.W.B.," we have referred to Dugdale's Warwickshire (ed. Thomas, 1730). vol. i. p. 309., and extract from it the following proof that Walpole had authority for his story. Who knows, after this, but we may in the same way trace from whence he procured the celebrated letter of the Countess of Pembroke, respecting which there is a query from Mr. Peter Cunningham, in No. 2. p. 28.

"As king Charles the First marched to Edgcot, near Banbury, on 22nd Oct., 1642, he saw him hunting in the fields not far from Shuckborough, with a very good pack of hounds, upon which it is reported, that he fetched a deep sigh and asked who that gentleman was that hunted so merrily that morning, when he was going to fight for his crown and dignity. And being told that it was this Richard Shuckburgh, he was ordered to be called to him, and was by him very graciously received. Upon which he went immediately home, armed all his tenants, and the next day attended on him in the field, where he was knighted, and was present at the battle of Edghill."]

Mousetrap Dante (No. 10. pp. 154, 155.).—I beg to refer your correspondent to the Visconte Colomb de Batines' Bibliographia Dantesea (Prato, 1845-48. 8vo.), tom. ii. pp. 264, 265., where he will find a list (correct so far as it goes) of the fifteen MSS. of the Comedia, purchased for the Bodleian Library about the year 1822, from the Abbate Matteo Canonici, of Venice.

I have reason for believing, that the only MSS. which exist in that collection, in addition to those enumerated in the list, are: 1. Canon Ital. 100. "Compendium Cujusdam Commentarii" (4to paper); and 2. "Codices Canonici Miscellanei 449." fol., vellum (it cannot therefore be this), which contains the complete commentary of Jacopo dalla Lana.

F.C.B.

Cromwell's Estates (No. 18. p. 277.).—The seignory of Gower is the peninsula which runs out between the bays of Swansea and Carmarthen; and which terminates at Swansea on the S.E. side, and at Longhor on the N.W., and comprises the district which, in common with a part of Scotland, anciently bore the name of Rheged. It is a locality rich in all that can attract the antiquary and the naturalist.

Mr. Dillwyn's Contributions towards a History of Swansea contains the following references to the Gower property of Cromwell:—"We are informed by the Minute-book of the Common Hall" (at Swansea), "that on May 19, 1648, there came to this towne the truly Honourable Oliver Cromwell, Esq.... Lord of this towne, the Seignory of Gower, and Manor of Killay, with the members thereof," &c. "On May 5. 1647, Parliament settled the estates of the Marquis of Worcester, in Gloucestershire and Monmouthshire, on Cromwell; and, by a subsequent order, the estate in Glamorganshire was added to this grant. The conveyance from Parliament to Cromwell is made, not only in the name of his Majesty, but has a portrait of Charles the First at its head."

SELEUCUS.

Genealogy of European Sovereigns (No. 6. p. 92.)—The best and most comprehensive work on this subject bears the following title:—Johann Hübner's genealogische Tabellen, 4 vols. folio, oblong, Leipzig, 1737 et seq. (Of the 3rd vol. a new and much improved edition, by G.F. Krebel, appeared in 1766.) Supplement: Tafeln zu J. Hübner's genealogischen Tabellen, by Sophia Queen of Denmark, 6 parts, folio, oblong, Copenhagen, 1822-24.

A. Asher.

Berlin.

Shipster (No. 14. p. 216.).—Are not Baxter and Tupster the feminines of Baker and Tapper?—and may not Shipster signify a female ship-owner?

F.C.B.

Kentish Ballad (No. 16. p. 247.).—The song beginning "When Harold was invaded" has long been a favourite in this county. It is entitled "The Man of Kent," and was composed by Tom Durfey, in the time of Charles the Second. It may be found, with the music, in Chappell's Collection of English Airs. He cites it as being in Pills to purge Melancholy, with Music, 1719, and states that in the Essex Champion, or famous History of Sir Billy of Billericay and his Squire Ricardo, 1690, the song of "The Man of Kent" is mentioned. I have none of these works at hand for immediate reference, but the above note contains all that I have been able to collect on the subject of our popular ballad.

There is another song, much to the same purport, beginning—

"When as the Duke of Normandy,

With glistening spear and shield,"

in Evans's Songs, vol. ii. p. 33, printed by him from The Garland of Delight, by Delone, in the Pepys collection at Cambridge—a black-letter volume; and probably the song was by himself.

Your correspondent "F.B." asks for the remainder of the song. In pity to yourself and your readers, I forbear sending you the countless stanzas—numerous enough in the original song, but now, by the additions of successive generations, swelled to a volume. He will find in Chappell's collection all that is worth having, with the assurance, repeated oft enough for the most enthusiastic of our modest countrymen, that

"In Britain's race if one surpass,

A man of Kent is he."

LAMBERT LARKING.

Ryarsh Vicarage.

Bess of Hardwick (No. 18. p. 276.).—The armorial bearings of John Hardwick, of Hardwick, co. Derby, father of Bess, were: Argent, a saltier engrailed, and on a chief blue three roses of the field.

M. COMES.

Oxford, March 9. 1850.

Trophee (No. 19. p. 303.).—"Trophe," in the Prologue of Lydgate's Translation of Boccaccio's Fall of Princes, is a misprint: corrige—

"In youth he made a translation

Of a boke, which called is Troyle,

In Lumbardes tonge, as men may rede and se,

And in our vulgar, long or that he deyde,

Gave it the name of Troylous and Cres-eyde."

The book called Troyle is Boccaccio's Troilo, or Filostrato.

M.C.

Oxford, March 11. 1850.

Emerald (No. 14. p. 217.).—Before we puzzle ourselves with the meaning of a thing, it is well to consider whether the authority may not be very loose and inaccurate. This emerald cross, even if it was made of emeralds, might have been in several pieces. But we are told generally, in Phillips's Mineralogy, that "the large emeralds spoken of by various writers, such as that in the Abbey of Richenau, of the weight of 28 lbs., and which formerly belonged to Charlemagne, are believed to be either green fluor, or prase. The most magnificent specimen of genuine emeralds was presented to the Church of Loretto by one of the Spanish kings. It consists of a mass of white quartz, thickly implanted with emeralds, more than an inch in diameter."

The note to the above exemplifies what I have just said. It is called emerald, he says, because it is green, from the Greek. I might make a query of this; but it is clearly a mistake of some half-learned or ill-understood informant. The name has nothing to do with green. Emerald, in Italian smeraldo, is, I dare say, from the Greek smaragdus. It is derived, according to the Oxford Lexicon, from μαιρω, to shine, whence μαρμαρυγη. In looking for this, I find another Greek word, smirix, which is the origin of emery, having the same meaning. It is derived from σμαω, to rub, or make bright. I cannot help suspecting that the two radical verbs are connected.

C.B.

Ancient Motto—Barnacles.—In reference to your querist in No. 6., respecting the motto which "some Pope or Emperor caused to be engraven in the centre of his table," and the correspondent in No. 7. who replies to him by a quotation from Horace, I beg to observe that honest Thomas Fuller, in The Holy State, 275. ed. Lond. 1648, tells us, that St. Augustine "had this distich written on his table:—

"Quisquis amat dictis absentem rodere famam,

Hanc mensam indignam noverit esse sibi.

He that doth love on absent friends to jeere,

May hence depart, no room is for him here."

With respect to the Barnacle fowl, it may be an addendum, not uninteresting to your correspondent "W.B. MacCabe," to add to his extract from Giraldus another from Hector Boece, History of Scotland, "imprentit be Thomas Davidson, prenter to the Kyngis nobyll grace [James VI.]." He observes, that the opinion of some, that the "Claik geis growis on treis be the nebbis, is vane," and says he "maid na lytyll lauboure and deligence to serche the treuthe and virite yairof," having "salit throw the seis quhare thir Clakis ar bred," and assures us, that although they were produced in "mony syndry wayis, thay ar bred ay allanerly be nature of the seis." These fowls, he continues, are formed from worms which are found in wood that has been long immersed in salt water, and he avers that their transformation was "notably provyn in the zier of God 1480 besyde the castell of Petslego, in the sycht of mony pepyll," by a tree which was cast ashore, in which the creatures were seen, partly formed, and some with head, feet, and wings; "bot thay had na faderis." Some years afterwards, a tree was thrown on the beach near Dundee, with the same appearances, and a ship broken up at Leith exhibited the same marvel; but he clinches the argument by a "notable example schawin afore our eyne. Maister Alexander Galloway Person, of Kynkèll, was with us in thir Illis (the Hebridæ), and be adventure liftet up ane see tangle, hyng and full of mussil schellis," one of which he opened, "bot than he was mair astonist than afore, for he saw na fische in it bot ane perfit schapin foule. This clerk, knawin us richt desirous of sic uncouth thingis, came haistely, and opinit it iwith all circumstance afore rehersit." So far the venerable "Chanon of Aberdene." The West Highlanders still believe in the barnacle origin of this species of fowl.

JAMES LOGAN

Tureen (No. 16. p. 246.; No. 19. p. 307.).—I have seen old-fashioned silver tureens which turned on a pivot attached to the handles, and always concluded that it was to this form that Goldsmith alluded in the line quoted by "G.W."

SELEUCUS.

Hudibrastic Couplet (No. 14. p. 211.).—These lines do not occur in the reprint of the Musarum Deliciæ (Lond. 1817, 8vo. 2 vols.). Lowndes (Bibliogr. Manual) states that they are to be found in the 2nd ed. of the work (London, 1656. 12mo.).

F.C.B.

Topography of Foreign Printing Presses (No. 18. p. 277.)—About twelve years ago, Valpy published a vol. of Supplements to Lemprière's Dictionary, by E.H. Barker. One of these contained a complete list of all the foreign towns in which books had been printed, with the Latin names given to them in alphabetical order.

W. and N.

Your correspondent "P.H.F." will find in Cotton's Typographical Gazetteer (8vo. Clarendon Press, 1831), every information he will ordinarily require.

J.M.S.

Islington, March 7. 1850

Dr. Hugh Todd's MSS. (No. 18. p. 282.).—The only MS. in the library of University College, Oxford, is that mentioned by "F.M."; and it is described in the Catalogue, compiled by the Rev. H.O. Coxe, of the MSS. belonging to the College, p. 47. No. clxx. There is a note stating it was "ex dono Hugonis Todd, Socii, A.D. 1690."

C.I.R.

MISCELLANIES.

Burnet.—In addition to the opinions expressed in favour of or opposed to Burnet's "History," (No. 3. p. 40., and No. 8. p. 120.), I may also refer to Dr. King's Anecdotes; he says,

"I knew Burnet; he was a furious party-man, and easily imposed on by any lying spirit of his own faction; but he was a better pastor than any man who is now seated on the Bishop's bench."

Dryden's chastisement of Burnet—"the noble Buzzard"—in his Hind and Panther must be familiar to your readers. It was given as "adequate retaliation" for the Bishop's censure of the immorality of Dryden's plays. Applied to Burnet's Sketches of Characters, Dryden says:

"His praise of foes is venomously nice,

So touch'd, it turns a virtue to a vice."

Scott's note on this passage well merits perusal.

J.H.M.

Bath.

PERVENIRI AD SUMMUM NISI EX PRINCIPIIS NON POTEST.

(From the Latin of Vincent Bourne.)

Newton, the light of each succeeding age,

First learned his letters from a female sage.

But thus far taught—the alphabet once learn'd—

To loftier use those elements he turn'd.

Forced th' unconscious signs, by process rare,

Known quantities with unknown to compare;

And, by their aid, profound deductions drew

From depths of truth his teacher never knew.

Yet the true authoress of all was she!—

Newton's Principia were his a, b, c.

Rufus.

Prince Madoc (No. 4. p. 56.; No. 18. p. 282.).—In the darkness superinduced by the absence of historical evidence on the Welsh settlement in America, I beg leave to offer a few remarks on some ethnological subjects involved in this question.

In reference to the specimen of a Welsh-Indian Vocabulary in Catlin's N.A. Indians, which "Gomer" opposes to Prof. Elton's proposition on this subject (No. 15. p. 236.), were the instances of similarity to exhibit the influence of opinion, of government, or of commerce, on the language of the tribe, the origin of such words would be as indisputable as that of those introduced by the English into the various countries of the East where they have factories; e.g. governor, council, company. But these and numerous other traces of the Celtic language which have been found in Florida and Darien are not indicative of such impressions; most of them, from their universality, bespeak themselves to be primitive; and who can assure us that some may not have reached them before the twelfth century, through "Walsh or strangers," "a race mightier than they and wiser," by whom they may have been instructed in the arts which have excited so much astonishment?

The glass beads, erroneously called Druid's beads, furnish Catlin with another proof of affiliation, which, however, is invalidated by the well-ascertained facts of glass-manufactories having, in remotest antiquity, existed in Egypt, and of glass beads having been dispersed by the Phoenicians among the nations which they visited. (See Tassie's Gems, introd.—Here, by the by, are mentioned celebrated emeralds, which have turned out to be only lumps of green glass!)

Lhuyd relates that the cross was honoured in N. America before the arrival of the Spaniards, and Sir R. Manley (Turk. Spy, vol. viii.) states that they found crucifixes also. Unfortunately for this hypothesis, it has been shown, by G. Becanus (Hierogl., see Index), Olaus Wormius (De Danicis Monumentis, see Index), M. Ficinus (De Vita coelitus Propaganda, l. iii. c. 18.), and Kircherus (Prodromus Coptus, p. 163.), that in various countries the cross was, before the Christian era, an object of veneration, and symbolled the genius of their religion. In the event of crucifixes having been found (for which, however, Sir R. Manley supplies no authority) we need not be surprised that the Christian topography was so far extended, since the Christianity of China, between the seventh and the thirteenth century, has been invincibly proved; and simultaneously, perhaps, the aborigines of America received the symbol, Ερωσ μου εσταυρωται, which is peculiar to the Christian religion.

In conclusion, permit me to cite Southey versus Catlin:—"That country," says the author of Madoc "has now been fully explored; and wherever Madoc may have settled, it is now certain that no Welsh Indians are to be found upon any branches of the Missouri" (Preface, note written in 1815).

Since I wrote the above, I have met with a work, by Mr. George Jones, entitled The History of Ancient America anterior to the Time of Columbus, vol. i.: "The Tyrian Æra." In the second, not yet published, he promises to give "The Introduction of Christianity into the Western Hemisphere by the Apostle St. Thomas."

T.I.

Mistake in Gibbon.—Those of your readers, who are, like myself, occasional verifiers of references, will perhaps thank me for pointing out a false reference, that I have just discovered in one of Gibbon's notes:

"Capitolinus gives us the particulars of these tumultuary votes, which were moved by one senator, and repeated, or rather chanted, by the whole body."—Hist. August. p. 52.

See Gibbon's Decline and Fall, chap. 4, note under marginal lemma, "The memory of Commodus declared infamous."

These "tumultuary votes" are recorded, not by Capitolinus, but by Ælius Lampridius, in his Life of Commodus. Vide Historiæ Augustæ Scriptores. Ælii Lampridii Commodus Antoninus, capita 18, 19.

Capitolinus wrote the life of his immediate successor, Pertinax; hence perhaps the mistake, "Egregio in corpore nævus!" Let those who wish to know what passion really is, read the tiger-like yells of the Roman senate in Lampridius!

C. Forbes.

Temple, Feb. 27.

Jew's Harp.—The late Mr. Douce always maintained that the proper name of this instrument was the Jaw's Harp, and that the Jews had no special concern with either its invention or its use.

J.H.M.

Havior.—The word "havior" is probably of a hybrid character; partly of Anglo-Saxo, and partly of British origin. If so, the first syllable is obvious enough, "half" being generally pronounced as if the liquid were considered an evanescent quantity, "ha'f, heif, hav'," &c., and "iwrch" is the British word for a roe-buck. Dropping the guttural termination, therefore, and writing "ior" instead of "iwrch," we have the significant designation of the animal described by Lord Braybrooke, whose flesh, like that of the capon, may afford a convenient variety among the delicacies of the season, if well cooked according to the recondite mysteries of the gastronomic art.

Hypomagirus.

Trinity College, Oxford, Feb 14.

N.B. "Heifer" has already been explained as "heif-ker, half-cre," A.-S., "anner," Br.

Haviour, Haver, Hyfr (No. 15. p. 230, and No. 17. p. 269.).—If I may throw out a question where I cannot give an explanation, I would ask, are we not approaching very near to the word "heifer" (from the Saxon) in these, but especially in the last of the above terms? They seem to me to be identical. The introduction of the sound of y between the sounds of v and ur, is not uncommon in the vernacular or corrupted pronunciation of many words; nay, it is sanctioned by general usage, in "behaviour" from "behave," "Saviour" from "save," &c. If the words are identical, still the history of the appropriation of the one to male animals of the class described, and of the other to females, must be curious and worth investigating. May not the aver and averium, like irreplegibilia and other barbarous law terms, be framed (rather than derived) from one of our English terms, as well as from the French avoir?

G.W.

America known to the Ancients.—I have a note of the following references, as illustrating the passage quoted by "C." (No. 7. p. 107.), and countenancing the idea that the existence of America was at least suspected by the ancients. As I have not had an opportunity of consulting the authorities myself, I cannot tell how far they may affect the point in question; and I fear the references are not as accurate as might be wished, but I shall be truly glad if they prove at all useful:—Diodorus Siculus, Bibl. lib. iv. pp. 299, 300 edit. Rhodoman; Apuleius, De Mund. Oper. vol. ii. p. 122.; Avitus in Senec. Suasor.; Horn, De Origin. Americ. lib. i. c. 10. p. 57.

G. William Skyring.

Error in Meyrick's Ancient Armour (No. 17. p. 266.).—In the second edition of Meyrick's Armour, the error pointed out by Mr. Hudson Turner has not been corrected. The passage is, "Item a gamboised coat with a rough surface of gold embroidered on the nap of the cloth;" and with the note, "Like a thicket."

F.C.B.

Nomade.—The last Indian mails brought me the following derivation of the word Nomade, in a letter from a friend, who was, when he wrote, leading a nomade life among the Ryots of Guzerat:—

"Camp, Kulpore, Jan. 30. 1850.

"The natives use [for their tents] a sort of woollen stuff, about half an inch thick, called 'numbda.' * * * * * * By the bye, this word 'numbda' is said to be the origin of the word nomade, because the nomade tribes used the same material for their tents. When I was at school, I used to learn nomde, from νεμω."

Melanion.

NOTES ON BOOKS, SALES, CATALOGUES, ETC.

A view of the Exhibition of the Works of Ancient and Mediæval Art has convinced us that fame had done no more than justice to its merits and interest. We dare not attempt to enumerate one tithe of the gems in Glass, Enamel, Metalwork, Carving in Wood and Ivory, Porcelain, &c., now gathered together in the Adelphi to justify the enthusiasm of the antiquary, and to show, in the words of Marlowe,

"Oh! what a world of profit and delight,

Of power, of honour, of omnipotence,

Is promis'd to the studious artizan?"

and how small, after all, is our boasted advance. We must therefore be content with recommending our readers to visit, again and again, this matchless collection. Mr. Hailstone, the originator of the exhibition, must be highly gratified at the manner in which, thanks to the liberality of the owners, and the zeal and good taste of the committee, his idea has been carried out. If, too, at this time, when there is so much unemployed labour among us, this exhibition should have the effect of creating a demand for articles which can be produced by the hand and mind of a skilful workman only, and not by machinery, however costly and elaborate, an enormous benefit, beyond that originally contemplated, must result from the exhibition—namely, that of supplying fresh fields for the labour and ingenuity of our workmen.

It is with great satisfaction that we are enabled to announce that there is at length a prospect of our seeing the monument which Nicholas Brigham erected, in Poet's Corner, to the memory of Geoffrey Chaucer properly restored. Arrangements are making for collecting subscriptions for that purpose, to be limited to five shillings each, that more may have the pleasure of assisting in the good work. We hope to give further particulars of this right and necessary step in the course of a week or two.

We have received John Petheram's (94. High Holborn) Catalogue of Old and New Books, No. 109., being No. 3. for 1850;—from Thomas Cole (15. Great Turnstile, Holborn) his Catalogue of Cheap Books, No. 25.; and from John Russell Smith, (4. Old Compton Street, Soho) Part 2. for 1850 of his Catalogue of Choice, Useful, and Curious Books. We have also received from Messrs. Puttick and Simpson, of 191. Piccadilly, a Catalogue of a Six-Days' Sale of Miscellaneous Books, chiefly Theological and Classical, but comprising also much General Literature, which commences this day (Saturday).

BOOKS AND ODD VOLUMES

WANTED TO PURCHASE

(In continuation of Lists in former Nos.)

Caussinus, Nicolas, De Symbolica Ægyptiorum Sapentia. Caussinus, Polyhistor Symbolicus.

Odd Volume and Plate.

Hutchins' Dorset, 2nd Edition, 1803, Vol. II. Horsley's Britannia Romana, The Map which faces page 1.

***Letters, stating particulars and lowest price, carriage free, to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186 Fleet Street.

NOTICE TO CORRESPONDENTS.

DISS.—The sanction of the authorities was first duly obtained in the matter to which our correspondent refers.

A.G.'s hint will not be lost sight of.

The present Number will, we trust, furnish a satisfactory reply to our correspondent at Godalming.

Notes and Queries may be procured of any Bookseller or Newsman if previously ordered. Gentlemen residing in the country, who may find a difficulty in procuring it through any bookseller in the neighbourhood, may be supplied regularly with the stamped edition, by giving their orders direct to the publisher, Mr. George Bell, 186. Fleet Street, accompanied by a Post Office order, for a quarter (4s. 4d.); a half year (8s. 8d.); or one year (17s. 4d.)

Notes and Queries may also be procured in Monthly Parts at the end of each month, Part I. price 1s., Part II., price 1s. 3d., have been reprinted, and may now be had, together with Parts III, price 1s., and Part IV., price 1s. Part V., price 1s., will be ready next week.

Post 8vo. Cloth, 10s. 6d.

THE HISTORY OF JUNIUS AND HIS WORKS, and a Review of the Controversy respecting Junius, with an Appendix, containing Portraits and Sketches, by Junius, selected from the Letters. By John Jaques.

"This is a very able book; well arranged in its plan, and complete in its matter. To those who are interested in the controversy, or even to any readers of Junius who wish for further information than the common editions furnish, we strongly recommend this volume. They will find it full, without being overcharged; and it possesses an advantage even over Woodfall's edicition, in only containing what is essential to the point, besides exhibiting much which does not appear in that elaborate publication. The 'History of Junius and his Works' is an essential companion to the 'Letters of Junius.'"—Spectator, March 4, 1843.

London: George Bell, 186. Fleet Street.

In One Volume, square crown 8vo. price 18s. cloth.

SOUTHEY'S COMMONPLACE-BOOK.

Edited by Mr. Southey's Son-in-Law, the Rev. John Wood Warter, B.D. Second Series, being SPECIAL COLLECTIONS, and forming a Volume complete in itself.

"This volume [SPECIAL COLLECTIONS] is a monument of industry such as few could pile, and affords striking evidence of the indomitable perseverance and varied learning of Southey.... The oftener we dip into these massive pages, the profounder grows our surprise that such a mass of information could have been thrown together by one man.... It is just the book to dive into for the spare half hour, assured of finding amusement and information in every page.... The index is so ample and well arranged, that any particular paragraph may be turned to without difficulty. Altogether it is a massive and elegant volume, got up without regard to expense, and as well adapted for the shelves of the mechanic's library, as for the study-table of the literary man."—Eclectic Review.

Also a New Edition, in One Volume, price 18s.

SOUTHEY'S COMMONPLACE-BOOK, First Series; containing CHOICE PASSAGES, with "Collections for the History of English Manners and Literature," and forming a Volume complete in itself.

London: Longman, Brown, Green, and Longmans.

In the Press and will be published immediately, in 1 vol. 8vo. Illustrated with a Map of the town in 1763, and Engravings by Basire, Le Keux, Hunter, and Childs, from Drawings by the late Richard Stileman, Esq., Buck, Blore, Hooper, S. Prout, T. Ross, Stephens, and A.D. Gough, and Woodcuts of Arms and Seals. Price, to subscribers, 5s.

A HISTORY OF THE TOWN OF WINCHELSEA.

(Ancient and Modern,) in the County of Sussex, by William Durrant Cooper, F.S.A.

Subscribers' names will be received by the Publishers, John Russell Smith, 4. Old Compton Street, Soho, London; and Henry Osborne, 55. George Street, Hastings.

Early Antiquities of England Illustrated.

THE PRIMÆVAL ANTIQUITIES OF DENMARK.

By J.J.A. Worsaae, M.R.S.A., of Copenhagen. Translated and applied to the Illustration of similar Remains in England, by William J. Thoms, Esq., F.S.A., Secretary of the Camden Society. Illustrated with numerous Woodcuts. 8vo. 10s. 6d.

"This is the best antiquarian handbook we have ever met with—so clear is its arrangement, and so well and so plainly is each subject illustrated by well-executed engravings, that confusion for the future is impossible upon a variety of points on which the most grievous mistakes have hitherto been made by anxious and zealous antiquarians. * * * It is the joint production of two men who have already distinguished themselves as authors and antiquarians. It is a book of which it may be said, that in every sentence is to be found an interesting fact, and that every page teems with instructions, and may be regarded as a sure guide to all antiquarians in their future archæological inquiries."—Morning Herald.

See also Gentleman's Magazine for February, 1850.

John Henry Parker, Oxford, and 377. Strand, London.

ENGLISH HISTORICAL PORTRAITS.

THIS SERIES OF PORTRAITS, ILLUSTRATIVE OF ENGLISH HISTORY, is engraved from highly-finished Drawings of ORIGINAL PICTURES, existing in various Galleries and Family Collections throughout the country, made with scrupulous accuracy by Mr. G.P. Harding; the greater portion never having been previously engraved.

M.M. HOLLOWAY, having purchased the whole of the impressions and plates, now offers the Sets in a Folio Volume, bound in cloth, and including Biographical Letter-press to each subject, at the greatly reduced price of £2 12s. 6d., and £4 4s. 0d. for Proofs before Letters, of which but 18 copies remain.

The Collection consists of the following Portraits:

KING HENRY VIII. and the EMPEROR CHARLES V., from the Original, formerly in the Strawberry Hill Gallery.

QUEEN KATHARINE OF ARRAGON, from a Miniature by Holbein, in the possession of the Duke of Buccleugh.

SIR ANTHONY BROWNE, K.G., from the Original in the possession of Thomas Baylis, Esq., F.S.A.

ANTHONY BROWNE, VISCOUNT MONTAGUE, K.G., from the Collection of the Marquess of Exeter.

EDWARD VERE, EARL OF OXFORD, from the Original Picture in the Collection of the Duke of Portland.

SIR WILLIAM RUSSELL, BARON THORNHAUGH, LORD DEPUTY OF IRELAND, from the Original Picture in the Collection of the Duke of Bedford.

WILLIAM CAMDEN, CLARENCEUX KING OF ARMS, from the Picture in the possession of the Earl of Clarendon.

SIR ANTHONY SHIRLEY, AMBASSADOR FROM THE COURT OF PERSIA TO JAMES I., from the Original Miniature by Peter Oliver.

HENRY CAREY, LORD FALKLAND, LORD DEPUTY OF IRELAND, from the Original by Vansomer, formerly in the Strawberry Hill Collection.

SIR ROBERT DUDLEY, SON OF THE EARL OF LEICESTER, from an Original Miniature by N. Hilliard, in the possession of Lord De l'Isle and Dudley.

THE RIGHT HON. WILLIAM LENTHALL, SPEAKER OF THE HOUSE OF COMMONS, from a Miniature by J. Cooper, in the possession of R.S. Holford, Esq.

MARGARET CAVENDISH, DUCHESS OF NEWCASTLE, from the Original Picture in the Collection of F. Vernon Wentworth, Esq.

SIR THOMAS BROWNE, M.D., of NORWICH, from an Original Picture in the College of Physicians, London.

SIR CHARLES SCARBOROUGH, M.D., PHYSICIAN TO CHARLES II., JAMES II., and WILLIAM III., from the Original Picture in the Barber-Surgeons' Hall.

FLORA MACDONALD, from the Original by A. Ramsay, 1749, in the Picture Gallery, Oxford.

M.M. Holloway, 25. Bedford Street, Covent Garden.

CHRONOLOGICAL CHART of BRITISH ARCHITECTURE, with the Genealogy and Armorial Bearings of the Sovereigns of England, and parallel Tables of the most important events in British and General History; with an Explanatory Volume. By Archibald Barrington. Price, Four sheets, in wrapper, 15s. In French case, or on roller, 21s. Roller, varnished, 26s. Volume of Plain Hints, 4s. in addition.

"A most splendid and elaborate Chart or Scheme, illustrated with numerous coloured engravings, presenting a synoptical view of the subjects in the title. A glance or two at such a plan will sometimes give a truer, a larger, and certainly a more vivid idea of the subject, than many pages of reading."—British Critic.

POCKET CHART OF BRITISH ARCHITECTURE chronologically arranged, neatly printed in red and black, and containing seventy-five figures, with a Descriptive Manual. By Archibald Barrington. Price, on sheet, with Manual, 2s. In cloth, with Manual, 3s.

POCKET CHART OF FOREIGN ARCHITECTURE. Printed uniformly with the above, in red and black, with a Descriptive Manual. By Archibald Barrington. Price, on sheet, with Manual, 2s. In cloth case, with Manual, 3s.

DISPLAY of HERALDRY, presenting at one view an Epitome of the Science, with Descriptive Letter-press. By Archibald Barrington. Price, on sheet, partly coloured, 8s. In case, or on roller, ditto, 10s. 6d. On roller, varnished, 12s. 6d. Fully coloured, 4s. 6d. extra.

TABULAR DISPLAY OF BRITISH ARCHITECTURE, with a Manual for Beginners, by which the dates of our Cathedral and other Churches may be easily known. By Archibald Barrington. Price, with the Manual, on sheet, 4s. In case, 5s. On roller, 7s. 6d. On roller, varnished, 8s. 6d. The Manual, by itself, 1s.

"By the aid of this little pamphlet, and the 'Tabular Display' which it accompanies, any person previously unacquainted with architecture may learn to discriminate the various styles and dates of Gothic structures. The examples are sufficiently numerous and characteristic to embrace the peculiarities of each style, and the text referring to them supplies the requisite verbal information."—Spectator.

THE GENEALOGY and ARMORIAL BEARINGS of the SOVEREIGNS of ENGLAND, with an Explanatory Volume, entitled, "Genealogy Simplified, and applied to the Illustration of British History." By Archibald Barrington. Price of the sheet, coloured, 6s. In case, or on roller, 9s. Varnished, 11s. The Explanatory Volume of Genealogy Simplified, 3s. in addition.

"A very clear explanation of the origin and meaning of the various heraldic devices of British Monarchs, and exhibiting the lineal descent of Queen Victoria from the Saxon Egbert. The Chart is set forth in bold characters, and not encumbered with superfluous details. The source of each line of monarchs and the events that led to the interruption of the succession are explained with such simplicity as to be perfectly intelligible to the youngest readers."—Spectator.

London: George Bell, 186. Fleet Street.

Printed by Thomas Clark Shaw, of No. 8. New Street Square, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London; and published by George Bell, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, March 23. 1850.

End of the Project Gutenberg EBook of Notes and Queries 1850.03.23, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.03.23 ***

***** This file should be named 11958-h.htm or 11958-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/1/9/5/11958/

Produced by Jon Ingram, William Flis, and PG Distributed Proofreaders.
Produced from images provided by The Internet Library of Early
Journals.

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.

Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate

Section 5. General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

http://www.gutenberg.net/etext06

(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:

http://www.gutenberg.net/1/0/2/3/10234

or filename 24689 would be found at:
http://www.gutenberg.net/2/4/6/8/24689

An alternative method of locating eBooks:
http://www.gutenberg.net/GUTINDEX.ALL